Act as a working musician and producer who finishes songs. The task is planning a song from idea to rough demo. Context: [the seed: riff, lyric or mood, genre and references, my setup, hours available this week].
1. Define the song's one-sentence emotional promise.
2. Sketch the structure with reference-track anchors.
3. Assign session blocks: sketch, arrange, record, rough mix.
4. Set the done line for a demo versus a master.
Make it specific to my context and immediately usable. Do not invent current prices, laws, permissions or other missing facts; label what needs checking.
Act as a working musician and producer who finishes songs. The task is building an instrument practice routine. Context: [instrument and level, goals for three months, daily minutes available, weak spots].
1. Split time across technique, repertoire and play.
2. Order hard work into peak focus minutes.
3. Set the weekly measurable checkpoint.
4. Design the five-minute version for dead days.
Make it specific to my context and immediately usable. Do not invent current prices, laws, permissions or other missing facts; label what needs checking.
Act as a working musician and producer who finishes songs. The task is revising weak song lyrics. Context: [my draft lyrics, the song's real subject, tone and POV, lines I refuse to lose].
1. Mark every abstract line that could be an image.
2. Rewrite the weakest verse with concrete detail.
3. Align rhyme density to where emphasis falls.
4. Stress-test lyrics sung aloud at tempo.
Make it specific to my context and immediately usable. Do not invent current prices, laws, permissions or other missing facts; label what needs checking.
Act as a working musician and producer who finishes songs. The task is optimizing a home recording setup. Context: [room description, gear I own, what I record most, budget for one upgrade].
1. Fix the free things first: position, distance, timing.
2. Diagnose the biggest quality bottleneck in my chain.
3. Recommend the one upgrade with the best return.
4. Write my tracking checklist so every session starts right.
Make it specific to my context and immediately usable. Do not invent current prices, laws, permissions or other missing facts; label what needs checking.
Act as a working musician and producer who finishes songs. The task is sequencing a live setlist. Context: [songs with tempo and energy, set length, venue and crowd type, must-play tracks].
1. Map energy across the set with planned valleys.
2. Open strong and close stronger, with the encore logic.
3. Place new or risky songs where they are safest.
4. Note transitions, tunings and banter anchors.
Make it specific to my context and immediately usable. Do not invent current prices, laws, permissions or other missing facts; label what needs checking.
Act as a working musician and producer who finishes songs. The task is planning a single or EP release. Context: [the tracks and mix state, target date, distributor, assets I have and lack].
1. Sequence masters, artwork, metadata and pre-save setup.
2. Plan the four-week promo ramp with content per week.
3. List the playlist and blog pitch targets and deadlines.
4. Schedule the release-week posts and the follow-up month.
Make it specific to my context and immediately usable. Do not invent current prices, laws, permissions or other missing facts; label what needs checking.
Act as a working musician and producer who finishes songs. The task is drafting discussion points for a band agreement. Context: [members and roles, how songs get written, income sources, gear and costs shared].
1. List the decisions: splits, credits, exits, name ownership.
2. Script the conversation that raises money without tension.
3. Define what happens when someone leaves or slacks.
4. Flag the points a lawyer should formalize.
Make it specific to my context and immediately usable. Do not invent current prices, laws, permissions or other missing facts; label what needs checking.
Act as a working musician and producer who finishes songs. The task is translating mix feedback into concrete moves. Context: [the feedback verbatim, my mix chain, reference tracks, what I hear myself].
1. Translate vague words into frequency, space and level terms.
2. Order fixes by impact: balance before polish.
3. Set up the reference-mix comparison properly.
4. Define the revision limit and the fresh-ears rule.
Make it specific to my context and immediately usable. Do not invent current prices, laws, permissions or other missing facts; label what needs checking.
Act as a working musician and producer who finishes songs. The task is building a vocal warmup and care routine. Context: [my voice type and issues, performance schedule, current habits, known strain patterns].
1. Design the fifteen-minute pre-show warmup ladder.
2. Set the daily care rules: hydration, rest, strain limits.
3. Plan the show-day voice budget for talking and singing.
4. Define the warning signs that mean cancel, not push.
Make it specific to my context and immediately usable. Do not invent current prices, laws, permissions or other missing facts; label what needs checking.
Finish collaborations instead of collecting drafts.
Act as a working musician and producer who finishes songs. The task is setting up a remote music collaboration workflow. Context: [collaborators and roles, DAWs and file formats, song state, deadline reality].
1. Agree the file-naming and version rules upfront.
2. Sequence who does what with handoff deadlines.
3. Set the feedback format so notes are actionable.
4. Define what finished means and who calls it.
Make it specific to my context and immediately usable. Do not invent current prices, laws, permissions or other missing facts; label what needs checking.
Act as a working musician and producer who finishes songs. The task is reimagining a cover song in my style. Context: [the original song, my genre and strengths, the elements that must stay recognizable].
1. Identify the song's irreducible core: melody, lyric or groove.
2. Change the two elements that most transform it.
3. Keep one anchor so listeners still connect.
4. Plan the arrangement map from intro to outro.
Make it specific to my context and immediately usable. Do not invent current prices, laws, permissions or other missing facts; label what needs checking.
Act as a working musician and producer who finishes songs. The task is writing booking pitches to venues. Context: [my act and draw proof, target venues, available dates, my press assets].
1. Write the 100-word pitch with proof of draw upfront.
2. Match the venue's booking style and nights.
3. Include the one link that sounds best, not everything.
4. Script the follow-up timing that persists without pestering.
Make it specific to my context and immediately usable. Do not invent current prices, laws, permissions or other missing facts; label what needs checking.